American Pastoral

1

The Swede. During the war years, when I was still a grade school boy, this was a magical name in our Newark neighborhood, even to adults just a generation removed from the city's old Prince Street ghetto and not yet so flawlessly Americanized as to be bowled over by the prowess of a high school athlete. The name was magical; so was the anomalous face. Of the few fair-complexioned Jewish students in our preponderantly Jewish public high school, none possessed anything remotely like the steep-jawed, insentient Viking mask of this blue-eyed blond born into our tribe as Seymour Irving Levov.

The Swede starred as end in football, center in basketball, and first baseman in baseball. Only the basketball team was ever any good-twice winning the city championship while he was its leading scorer but as long as the Swede excelled, the fate of our sports teams didn't matter much to a student body whose elders, largely undereducated and overburdened, venerated academic achievement above all else. Physical aggression, even camouflaged by athletic uniforms and official rules and intended to do no harm to Jews, was not a traditional source of pleasure in our community advanced degrees were. Nonetheless, through the Swede, the neighborhood entered into a fantasy about itself and about the world, the fantasy of sports fans everywhere: almost like Gentiles (as they imagined Gentiles), our families could forget the way things actually work and make an athletic performance the repository of all their hopes. Primarily, they could forget the war.

The elevation of Swede Levov into the household Apollo of the Weequahic Jews can best be explained, I think, by the war against the Germans and the Japanese and the fears that it fostered. With the Swede indomitable on the playing field, the meaningless surface of life provided a bizarre, delusionary kind of sustenance, the happy release into a Swedian innocence, for those who lived in dread of never seeing their sons or their

PHILIP ROTH won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction. He twice won the National Book Award and the National Book Critics Circle Award. He won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians' Prize for "the outstanding historical novel on an American theme for 2003-2004." Roth received PEN's two most prestigious awards: in 2006 the PEN/Nabokov Award and in 2007 the PEN/Bellow Award for achievement in American fiction. In 2011 he received the National Humanities Medal at the White House, and was later named the fourth recipient of the Man Booker International Prize. He died in 2018.

A PARADE BEST BOOK OF ALL TIME

"One of Roth's most powerful novels ever ... moving, generous and ambitious ... a fiercely affecting work of art." Michiko Kakutani, The New York Times

"Dazzling ... a wrenching, compassionate, intelligent novel ... gorgeous." The Boston Globe

"At once expansive and painstakingly detailed.... The pages of American Pastoral crackle with the electricity and zest of a first-rate mind at work." San Francisco Chronicle

"Never before has Roth written with such clear conviction. Never before has he assembled so many fully formed characters." Time

"An incandescent fiction.... American Pastoral scintillates with more Rothian wit, paradox, eloquent tantrums and absurd pratfalls placed at the exit of each irresistible argument that can be counted.... He strikes a vivid blaze." Los Angeles Times Book Review

"Roth has beaten pain and rage into a beautiful shape. American Pastoral is elaborately patterned and layered, ingeniously crafted to contain, even as it amplifies, a cathartic, barbaric yawp."  New York Observer

"Wrenching, skillfully told...a novel not to be missed." St. Louis Post-Dispatch

"Deeply moving.... Roth achieves a masterpiece...a literary triumph." Playboy

"A gripping, emotionally charged novel." People