Here

the labyrinthine quality of Alison Bechel s Fun Home and focuses on the small moments of everyday experience, similar to parts of Craig Thompson autobiographical graphic novel Blankets. However, Here retains almost no qualities of a novel: It is non-linear, there are no distinct characters, apart from the space, and there is no plot. Despite these seemingly large hurdles, McGuire produces a reading experience that is emotional, thought-provoking and interactive.... A brisk and brilliant read, Here combines genres and styles in a meditation on impermanence and the processes of memory.

Financial Times
McGuire is able to wring a surprising array of emotions from simple lines and blocks of muted colour interspersed with deliberately hackneyed jokes and the uncanny wisdom of the everyday. And the non-chronological arrangement seems faithful to how consciousness really works, the way we shape and reshape the story of ourselves by editing and re-editing highlights from our lives. I found it compelling to shuttle around in time to discover how earlier events informed later ones. Midway through the book one character says to another: Life has a flair for rhyming events. Clearly, McGuire does too.

Straight.com
Even as the ground beneath your feet falls away, McGuire creates poetry out of the echoes that s both playful and moving.

Minneapolis Star Tribune
For the long-awaited book-length Here, McGuire adds lavish color and some plot, but he preserves the captivating, uncanny sense of love, anger and tragedy flying across the centuries while staying in one place.

Dominicumile.com
A new, full-color graphic novel version of Here is stunning. Over more than three hundred pages, McGuire revisits and rebuilds his original strip with flashy interiors set in vivid pastels, and landscape sequences fleshed-out in moody watercolors, computer software-built textures, and sketchy pencil lines .. memorable and executed wonderfully

Patrick Lohier, Boingboing.net
I soon found myself immersed and often moved. Here has the surprising depth as a magician s top hat. The combination of the surreal and the nostalgic are mesmerizing. The book is an ingenious epic of time and space, and I think readers everywhere, and of many ages, will find it delightful.

Publishers Weekly (starred review)
Expanding on an influential piece that first appeared in Raw in 1989, McGuire, best known for his illustrated children s books, explores a single patch of land (apparently in Perth Amboy, N.J.) over the course of millions of years . The flat, hard lines produce art that looks like an approximation of Edward Hopper s clean bright paintings, created on an outdated computer program. McGuire threads miniplots and knowing references through his hopscotch narrative, building up a head of steam that s almost overwhelmingly poignant. His masterful sense of time and the power of the mundane makes this feel like the graphic novel equivalent of Terrence Malick s The Tree of Life.

Kirkus Reviews (starred review)
Later spreads flash with terrible and ancient supremacy, impending cataclysm, and distant, verdant renaissance, then slow to inevitable, irresistible conclusion. The muted colors and soft pencils further blur individual moments into a rich, eons-spanning whole. A gorgeous symphony.

Booklist (starred review)
McGuire s quiet artwork in a subdued full-color palette reveals nuanced gestures beautifully, sometimes with precise lines, others in sketchy sepia tones, all of which emphasize the passage of time. The concept is stunningly simple, and in laying bare the universality of existence its beauty, ugliness, and mundanity it is utterly moving.