Let the Great World Spin
A Novel
(Sprache: Englisch)
NATIONAL BOOK AWARD WINNER • Colum McCann's beloved novel inspired by Philippe Petit's daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt
In the dawning light of a late-summer morning, the people of lower...
In the dawning light of a late-summer morning, the people of lower...
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NATIONAL BOOK AWARD WINNER • Colum McCann's beloved novel inspired by Philippe Petit's daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-LevittIn the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann's stunningly intricate portrait of a city and its people.
Let the Great World Spin is the critically acclaimed author's most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann's powerful allegory comes alive in the unforgettable voices of the city's people, unexpectedly drawn together by hope, beauty, and the "artistic crime of the century."
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a "fiercely original talent" (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of
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what the novel can achieve, confront, and even heal.
Praise for Let the Great World Spin
"This is a gorgeous book, multilayered and deeply felt, and it's a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There's so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you'll find yourself giddy, dizzy, overwhelmed."-Dave Eggers
"Stunning . . . [an] elegiac glimpse of hope . . . It's a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it's a novel about families-the ones we're born into and the ones we make for ourselves."-USA Today
"The first great 9/11 novel . . . We are all dancing on the wire of history, and even on solid ground we breathe the thinnest of air."-Esquire
"Mesmerizing . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day . . . Colum McCann's marvelously rich novel . . . weaves a portrait of a city and a moment, dizzyingly satisfying to read and difficult to put down."-The Seattle Times
"Vibrantly whole . . . With a series of spare, gorgeously wrought vignettes, Colum McCann brings 1970s New York to life. . . . And as always, McCann's heart-stoppingly simple descriptions wow."-Entertainment Weekly
"An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall."-O: The Oprah Magazine
Praise for Let the Great World Spin
"This is a gorgeous book, multilayered and deeply felt, and it's a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There's so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you'll find yourself giddy, dizzy, overwhelmed."-Dave Eggers
"Stunning . . . [an] elegiac glimpse of hope . . . It's a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it's a novel about families-the ones we're born into and the ones we make for ourselves."-USA Today
"The first great 9/11 novel . . . We are all dancing on the wire of history, and even on solid ground we breathe the thinnest of air."-Esquire
"Mesmerizing . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day . . . Colum McCann's marvelously rich novel . . . weaves a portrait of a city and a moment, dizzyingly satisfying to read and difficult to put down."-The Seattle Times
"Vibrantly whole . . . With a series of spare, gorgeously wrought vignettes, Colum McCann brings 1970s New York to life. . . . And as always, McCann's heart-stoppingly simple descriptions wow."-Entertainment Weekly
"An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall."-O: The Oprah Magazine
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Lese-Probe zu „Let the Great World Spin “
Those who saw him hushed. On Church Street. Liberty. Cortlandt. West Street. Fulton. Vesey. It was a silence that heard itself, awful and beautiful. Some thought at first that it must have been a trick of the light, something to do with the weather, an accident of shadowfall. Others figured it might be the perfect city joke stand around and point upward, until people gathered, tilted their heads, nodded, affirmed, until all were staring upward at nothing at all, like waiting for the end of a Lenny Bruce gag. But the longer they watched, the surer they were. He stood at the very edge of the building, shaped dark against the gray of the morning. A window washer maybe. Or a construction worker. Or a jumper.Up there, at the height of a hundred and ten stories, utterly still, a dark toy against the cloudy sky.
He could only be seen at certain angles so that the watchers had to pause at street corners, find a gap between buildings, or meander from the shadows to get a view unobstructed by cornicework, gargoyles, balustrades, roof edges. None of them had yet made sense of the line strung at his feet from one tower to the other. Rather, it was the manshape that held them there, their necks craned, torn between the promise of doom and the disappointment of the ordinary. It was the dilemma of the watchers: they didn t want to wait around for nothing at all, some idiot standing on the precipice of the towers, but they didn t want to miss the moment either, if he slipped, or got arrested, or dove, arms stretched.
Around the watchers, the city still made its everyday noises. Car horns. Garbage trucks. Ferry whistles. The thrum of the subway. The M22 bus pulled in against the sidewalk, braked, sighed down into a pothole. A flying chocolate wrapper touched against a fire hydrant. Taxi doors slammed. Bits of trash sparred in the darkest reaches of the alleyways. Sneakers found their sweetspots. The leather of briefcases rubbed against trouserlegs. A few umbrella tips
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clinked against the pavement. Revolving doors pushed quarters of conversation out into the street. But the watchers could have taken all the sounds and smashed them down into a single noise and still they wouldn t have heard much at all: even when they cursed, it was done quietly, reverently. They found themselves in small groups together beside the traffic lights on the corner of Church and Dey; gathered under the awning of Sam s barbershop; in the doorway of Charlie s Audio; a tight little theater of men and women against the railings of St. Paul s Chapel; elbowing for space at the windows of the Woolworth Building. Lawyers. Elevator operators. Doctors. Cleaners. Prep chefs. Diamond merchants. Fish sellers.
Sad- jeaned whores. All of them reassured by the presence of one another.
Stenographers. Traders. Deliveryboys. Sandwichboard men. Cardsharks. Con Ed. Ma Bell. Wall Street. A locksmith in his van on the corner of Dey and Broadway. A bike messenger lounging against a lamppost on West. A red- faced rummy out looking for an early- morning pour. From the Staten Island Ferry they glimpsed him. From the meatpacking warehouses on the West Side. From the new high- rises in Battery Park. From the breakfast carts down on Broadway. From the plaza below. From the towers themselves.
Sure, there were some who ignored the fuss, who didn t want to be bothered. It was seven forty- seven in the morning and they were too jacked up for anything but a desk, a pen, a telephone. Up they came from the subway stations, from limousines, off city buses, crossing the street at a clip, refusing the prospect of a gawk. Another day, another dolor. But as they passed the little clumps of commotion they began to slow down.
Some stopped altogether, shrugged, turned nonchalantly, walked to the
corner, bumped up against the watchers, went to the
Sad- jeaned whores. All of them reassured by the presence of one another.
Stenographers. Traders. Deliveryboys. Sandwichboard men. Cardsharks. Con Ed. Ma Bell. Wall Street. A locksmith in his van on the corner of Dey and Broadway. A bike messenger lounging against a lamppost on West. A red- faced rummy out looking for an early- morning pour. From the Staten Island Ferry they glimpsed him. From the meatpacking warehouses on the West Side. From the new high- rises in Battery Park. From the breakfast carts down on Broadway. From the plaza below. From the towers themselves.
Sure, there were some who ignored the fuss, who didn t want to be bothered. It was seven forty- seven in the morning and they were too jacked up for anything but a desk, a pen, a telephone. Up they came from the subway stations, from limousines, off city buses, crossing the street at a clip, refusing the prospect of a gawk. Another day, another dolor. But as they passed the little clumps of commotion they began to slow down.
Some stopped altogether, shrugged, turned nonchalantly, walked to the
corner, bumped up against the watchers, went to the
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Autoren-Porträt von Colum Mccann
Colum McCann is the internationally bestselling author of the novels TransAtlantic, Let the Great World Spin, Zoli, Dancer, This Side of Brightness, and Songdogs, as well as two critically acclaimed story collections. His fiction has been published in thirty-five languages. He has received many honors, including the National Book Award, the International IMPAC Dublin Literary Award, a Chevalier des Arts et des Lettres award from the French government, and the Ireland Fund of Monaco Literary Award in Memory of Princess Grace. He has been named one of Esquire’s “Best and Brightest,” and his short film Everything in This Country Must was nominated for an Oscar in 2005. A contributor to The New Yorker, The New York Times Magazine, The Atlantic, and The Paris Review, he teaches in the Hunter College MFA Creative Writing program. He lives in New York City with his wife and their three children, and he is the cofounder of the global nonprofit story exchange organization, Narrative 4.
Bibliographische Angaben
- Autor: Colum Mccann
- 2009, 400 Seiten, Masse: 13,1 x 20,3 cm, Kartoniert (TB), Englisch
- Verlag: Penguin Random House
- ISBN-10: 0812973992
- ISBN-13: 9780812973990
- Erscheinungsdatum: 17.12.2011
Sprache:
Englisch
Pressezitat
This is a gorgeous book, multilayered and deeply felt, and it s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you ll find yourself giddy, dizzy, overwhelmed. Dave EggersIn his own gritty and lyrical voice, Colum McCann has lifted up a handful of souls to the light in this big-hearted, adroit and probing novel, and brought forth a spectrum of the painful, the beautiful and the unexpected. Amy Bloom
Every character grabs you by the throat and makes you care. McCann s dazzling polyphony walks the high wire and succeeds triumphantly. Emma Donoghue, author of Room
What a book! Complex and captivating . . . a very sensual novel. John Boyne, author of The Boy in the Striped Pajamas
Now I worry about Colum McCann. What is he going to do after this blockbuster groundbreaking heartbreaking symphony of a novel? No novelist writing of New York has climbed higher, dived deeper. Frank McCourt, author of Angela s Ashes
With Philippe Petit s breathless 1974 tightrope walk between the uncompleted WTC towers at its axis, Colum McCann offers us a lyrical cycloramic high-low portrait of New York City in its days of burning; Park Avenue matrons, Bronx junkies, Center Street judges, downtown artists and their uptown subway-tagging brethren, street priests, weary cops, wearier hookers, grieving mothers of an Asian war freshly put to bed; a masterful chorus of voices all obliviously connected by the most ephemeral vision; a pin-dot of a man walking on air 110 stories above their heads. Richard Price, author of Lush Life
Stunning . . . [an] elegiac glimpse of hope . . . It s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it s a novel about families the ones
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we re born into and the ones we make for ourselves. USA Today
The first great 9/11 novel . . . It is a pre-9/11 novel that delivers the sense that so many of the 9/11 novels have missed: We are all dancing on the wire of history, and even on solid ground we breathe the thinnest of air. Esquire
Mesmerizing . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day . . . Colum McCann s marvelously rich novel . . . weaves a portrait of a city and a moment, dizzyingly satisfying to read and difficult to put down. The Seattle Times
Vibrantly whole . . . With a series of spare, gorgeously wrought vignettes, Colum McCann brings 1970s New York to life. . . . And as always, McCann s heart-stoppingly simple descriptions wow. Entertainment Weekly
An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall. O: The Oprah Magazine
The Great New York Novel. With echoes of Wolfe, Doctorow, and DeLillo, Colum McCann s mesmerizing Let the Great World Spin is a prophetic portrait of New York City in the summer of 1974. . . . A fine introduction to a major talent. It is one of the year s best novels. Taylor Antrim, The Daily Beast
[McCann] both resurrects and redeems the horrors of Sept. 11, creating a metaphorical landscape of human endurance in the face of unspeakable tragedy. . . . This is McCann s gift, finding grace in grief and magic in the mundane. San Francisco Chronicle
A shimmering, shattering novel. In McCann s wise and elegiac novel of origins and consequences, each of his finely drawn, unexpectedly connected characters balances above an abyss, evincing great courage with every step. Booklist (starred review)
If William Butler Yeats and Allen Ginsberg had written a novel together, it would be this sad, this deep, this urban, this manic and this highly charged. . . . McCann s power his language, his human understanding, his vision holds us in an embrace as encompassing as the great world itself. The Buffalo News
Beautiful, heady . . . As worn down as McCann s characters are, they each struggle heroically against life s downward pull, and that s what makes the novel so powerfully uplifting. Richmond Times-Dispatch
Seductive [with a] propulsive pace . . . This is a New York teeming with leathery men and vicious beauties. The city itself is a stalled machine. People don t arrive here; they crawl into it. McCann s style is lyrical and sharp, as he expertly weaves together the lives of a handful of seemingly disparate characters. The Oregonian
Sprawling, lyrical . . . McCann [is a] novelist you should know a lot more about. New York
The first great 9/11 novel . . . It is a pre-9/11 novel that delivers the sense that so many of the 9/11 novels have missed: We are all dancing on the wire of history, and even on solid ground we breathe the thinnest of air. Esquire
Mesmerizing . . . a Joycean look at the lives of New Yorkers changed by a single act on a single day . . . Colum McCann s marvelously rich novel . . . weaves a portrait of a city and a moment, dizzyingly satisfying to read and difficult to put down. The Seattle Times
Vibrantly whole . . . With a series of spare, gorgeously wrought vignettes, Colum McCann brings 1970s New York to life. . . . And as always, McCann s heart-stoppingly simple descriptions wow. Entertainment Weekly
An act of pure bravado, dizzying proof that to keep your balance you need to know how to fall. O: The Oprah Magazine
The Great New York Novel. With echoes of Wolfe, Doctorow, and DeLillo, Colum McCann s mesmerizing Let the Great World Spin is a prophetic portrait of New York City in the summer of 1974. . . . A fine introduction to a major talent. It is one of the year s best novels. Taylor Antrim, The Daily Beast
[McCann] both resurrects and redeems the horrors of Sept. 11, creating a metaphorical landscape of human endurance in the face of unspeakable tragedy. . . . This is McCann s gift, finding grace in grief and magic in the mundane. San Francisco Chronicle
A shimmering, shattering novel. In McCann s wise and elegiac novel of origins and consequences, each of his finely drawn, unexpectedly connected characters balances above an abyss, evincing great courage with every step. Booklist (starred review)
If William Butler Yeats and Allen Ginsberg had written a novel together, it would be this sad, this deep, this urban, this manic and this highly charged. . . . McCann s power his language, his human understanding, his vision holds us in an embrace as encompassing as the great world itself. The Buffalo News
Beautiful, heady . . . As worn down as McCann s characters are, they each struggle heroically against life s downward pull, and that s what makes the novel so powerfully uplifting. Richmond Times-Dispatch
Seductive [with a] propulsive pace . . . This is a New York teeming with leathery men and vicious beauties. The city itself is a stalled machine. People don t arrive here; they crawl into it. McCann s style is lyrical and sharp, as he expertly weaves together the lives of a handful of seemingly disparate characters. The Oregonian
Sprawling, lyrical . . . McCann [is a] novelist you should know a lot more about. New York
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