The Little Stranger
shortlisted for the Booker Prize
(Sprache: Englisch)
Eine Geistergeschichte vor historischem Hintergrund.
Während eines trockenen Sommers in ländlichen Warwickshire der Nachkriegszeit, wird ein Arzt zu einem Patienten auf Hundreds Hall gerufen. Stammsitz der Ayres Familie seit über zwei Jahrhunderten, ist...
Während eines trockenen Sommers in ländlichen Warwickshire der Nachkriegszeit, wird ein Arzt zu einem Patienten auf Hundreds Hall gerufen. Stammsitz der Ayres Familie seit über zwei Jahrhunderten, ist...
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Eine Geistergeschichte vor historischem Hintergrund.
Während eines trockenen Sommers in ländlichen Warwickshire der Nachkriegszeit, wird ein Arzt zu einem Patienten auf Hundreds Hall gerufen. Stammsitz der Ayres Familie seit über zwei Jahrhunderten, ist das georgische Haus, einst gross und prachtvoll, jetzt im Niedergang: sein Mauerwerk bröckelt, seine Gärten überwuchert von Unkraut.
Aber wird die Famile Ayres wirklich von mehr heimgesucht, als dem langsamen Untergang ihrer Art zu leben?
Noch weiss Dr. Faraday nicht, wie eng und unauslöschlich ihre Geschichte mit der seinen verknüpft ist.
Während eines trockenen Sommers in ländlichen Warwickshire der Nachkriegszeit, wird ein Arzt zu einem Patienten auf Hundreds Hall gerufen. Stammsitz der Ayres Familie seit über zwei Jahrhunderten, ist das georgische Haus, einst gross und prachtvoll, jetzt im Niedergang: sein Mauerwerk bröckelt, seine Gärten überwuchert von Unkraut.
Aber wird die Famile Ayres wirklich von mehr heimgesucht, als dem langsamen Untergang ihrer Art zu leben?
Noch weiss Dr. Faraday nicht, wie eng und unauslöschlich ihre Geschichte mit der seinen verknüpft ist.
Klappentext zu „The Little Stranger “
In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, the clock in its stable yard permanently fixed at twenty to nine. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr Faraday know how closely, and how terrifyingly, their story is about to become entwined with his. Prepare yourself for a chilling ghost story from the shortlisted Man Booker and Orange Prize author. After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote "The Night Watch", a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. Prepare yourself. From this wonderful writer who continues to astonish us, now comes a chilling ghost story.
Autoren-Porträt von Sarah Waters
Sarah Waters, who was born in Wales, has been described as 'one of the best storytellers alive today' (Matt Thorne, Independent), and there can be no doubt that readers and critics alike have been gripped by her extraordinary imagination. Sarah Waters' first novel, Tipping the Velvet, won a Betty Trask Award, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize. Her next novel, Affinity, won the Somerset Maugham Award and the Sunday Times Young Writer of the Year Award while Fingersmith and The Night Watch were both shortlisted for the Man Booker Prize and the Orange Prize. The former also won the CWA Ellis Peters Dagger Award for Historical Crime Fiction and the South Bank Show Award for Literature. The Little Stranger was shortlisted for the Man Booker Prize in 2009 and The Paying Guests was shortlisted for the Baileys Prize in 2015. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have all been adapted for television, The Little Stranger was adapted as a film by Lenny Abrahamson, and Fingersmith inspired Park Chan-wook's film, The Handmaiden. Sarah Waters has been named Author of the Year five times: by the British Book Awards, The Booksellers' Association, Waterstone's Booksellers, Glamour Magazine Awards and the Stonewall Awards. In 2019 she was awarded an OBE for services to literature.
Bibliographische Angaben
- Autor: Sarah Waters
- 2010, 512 Seiten, Masse: 12,7 x 19,7 cm, Kartoniert (TB), Englisch
- Verlag: Little, Brown Book Group
- ISBN-10: 1844086062
- ISBN-13: 9781844086061
- Erscheinungsdatum: 22.03.2010
Sprache:
Englisch
Rezension zu „The Little Stranger “
'It's a gripping story, with beguiling characters ... As well as being a supernatural tale, it is a meditation on the nature of the British and class, and how things are rarely what they seem. Chilling' Kate Mosse, The Times, Summer Read 'Waters writes with a firm, confident hand, deftly building an atmosphere that begins in a still, hot summer and gradually darkens and tightens until we are as gripped by the escalating horror as the Ayres are. She is particularly good at depicting Hundreds, the dilapidated Georgian pile that dazzles ... Waters' persistent picking apart of class is fascinating' Tracy Chevalier, Observer 'By now readers must be confident of her mastery of storytelling ... While at one turn, the novel looks to be a ghost story, the next it is a psychological drama ... But it is also a brilliantly observed story, verging on the comedy, about Britain on the cusp of modern age ... The writing is subtle and poised' Joy lo Dico, Independent on Sunday 'Displaying her remarkable flair for period evocation, Waters recreates backwater Britain just after the Second World War with atmospheric immediacy ... Acute and absorbing' Peter Kemp, Sunday Times 'Waters is often described as a brilliant storyteller, and so she is. But she is also an artist compelled to experiment ... Waters gives herself a sort of handicap with the dull doctor's narration. This indirectness, which in cruder hands might have led to yawning insurrection in the reader, becomes essential to the novels unsettling power' Claudia Fitzherbert, Daily Telegraph 'It would be unfair to reveal very much about The Little Stranger: enough to say that this reader, left along one night in her boxy Seventies ex-council house ? about as unspooky a place as you can image ? had to stop reading for fright. This is an effective, gripping book. Sarah Waters' ability to evoke the 1940s shows the same mastery she displaying in The Night Watch, and her descriptive powers are nearly unparalleled ... Waters has sat
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herself down in front of a roaring fire and determined to scare the pants off her rightly devoted audience. In that she succeeds unequivocally. You'll want to sleep with the light on' Erica Wagner, The Times 'Alongside episodes of memorable horror, class is the most interesting element of The Little Stranger ... Waters stages a superb depiction of the menace of inanimate objects ... Ambitious and original' Sean O'Brien, TLS 'The horrors are brilliantly orchestrated, and rise effortlessly in scale and explicitness ... Waters knows what she is about, and the novels interests are only partly in the supernatural and the ghost story ... Waters has used the formal and conventional tactics of fiction ? the stiffer, the better ? to examine a read human situation ...The fascination of The Little Stranger lies in its unnerving evocation of place and time. It is a beautiful and expert divertissement' Philip Hensher, Spectator 'Water serves up a truly frightening scene in the deserted nursery ... As I lay in bed after finishing reading it, running the various elements through my mind, a fox screamed outside my window and I nearly had a heart attack' Suzi Feay, Literary Review 'Sarah Waters has, quite singlehandedly, at this late date, renewed the whole genre of the spooky gothic novel. Quite a feat' David Sexton, Evening Standard 'The knowledge that something nasty is around the corner lends the narrative a compelling sense of unease. At the same time, the richness of Waters' writing ensures that the air of thickening dread is very thick indeed ... Waters is a brave writer. The Little Stranger is an engrossing, hugely enjoyable read with set pieces guaranteed to make anyone with a pulse gibber in fright' John Preston, Sunday Telegraph 'Sarah Waters' masterly novel is a perverse hymn to decay, to the corrosive power of class resentment as well as the damage wrought by war ... (Waters has) a perfect understanding of her period ... She deploys the vigour and cunning one finds in Margaret Atwood's fiction, the same narrative ease and expansiveness, and the same knack of twisting the tension tighter and tighter within an individual scene ... The Little Stranger operates in the queasy borderlands between the supernatural and the psychopathological, and it is territory in which Waters moves with an air of supreme ease ... It is gripping, confident, unnerving and supremely entertaining ... Its allusions, its implications softly gather and fold themselves into the space in the mind that the book has made for itself, falling into place with a soft hiss, a rustle like phantom silks' Hilary Mantel, Guardian 'A spine-tingler ... Waters skilfully ratchets up the suspense as events at Hundreds grow ever more highly charged ? even downright chilling' Amber Pearson, Daily Mail 'This is more than a detective and/or ghost story. It is also a study of post-war Britain ... Social document; intriguing detective yarn; chilling ghost story, romance or thriller, The Little Stranger is a marvellous read on so very many levels' Christine Dwyer Hickey, Irish Times
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Pressezitat
Sarah Waters' masterly novel is gripping, confident, unnerving and supremely entertaining Hilary Mantel
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