The Oxford Handbook of Popular Music in the Nordic Countries
(Sprache: Englisch)
Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series...
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Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics by the world's foremost experts in the field.
Klappentext zu „The Oxford Handbook of Popular Music in the Nordic Countries “
Popular music has come to play a significant role in the political and cultural history of the Nordic countries. Research on the region's culture has largely followed national narratives created by political and economic institutions, even as cultural life in the region--which spans a large area of northern Europe and the North Atlantic--displays more complex geographies and evolving global dynamics. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics in the specific context of the region's cultures and natural environments, written by the foremost experts in the field. Chapters highlight and challenge music's place in exotic images of the North and in transnational environmentalism, tourism, racism, and media industries. The Handbook illustrates how transnational dynamics evolve and shape musical life and the institutional spheres of policy, education, and research.
Inhaltsverzeichnis zu „The Oxford Handbook of Popular Music in the Nordic Countries “
- Contents
- Figures
- Tables
- Acknowledgements
- Introduction: Music in a Globalizing Region
- Fabian Holt
- PART ONE
- Geography
- 1 Musical Borealism: Nordic Music and European History
- Philip V. Bohlman
- 2 Nordic Modernity and the Structure of the Musical Landscape
- Fabian Holt
- 3 Inclusive Popular Music Education?
- Alexis A. Kallio and Lauri Väkevä
- 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank
- Hans Weisethaunet
- 5 From the Faroes to the World Stage
- Joshua Green
- 6 Christian Metal and the Translocal North
- Henna Jousmäki
- 7 Music and Landscape in Iceland
- Tony Mitchell
- 8 Music and Environmentalism in Iceland
- Nicola Dibben
- PART TWO
- History
- 9 A Metahistorical Enquiry into Nordic Popular Music Historiography
- Antti-Ville Kärjä
- 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music
- Kimberly Cannady
- 11 Swedish Prog Rock and the Search for a Timeless Utopia
- Sverker Hyltén-Cavallius and Lars Kaijser
- 12 Trajectories of Karelian Music After the Cold War
- Pekka Suutari
- 13 The Memorial Ceremony after the 2011 Utøya Massacre
- Jan Sverre Knudsen
- 14 Aspirations and Global Futures: Lessons from Sámi Popular Music for the 21st Century
- Tina K. Ramnarine
- PART THREE
- Identity
- 15 Masculinity, Race and Transculturalism in a Norwegian Context
- Stan Hawkins
- 16 Hip Hop as Public Pedagogy
- Alexandra D'Urso
- 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia
- Henrik Marstal
- 18 Rap, Reggae, and White Minoritization
- Benjamin R. Teitelbaum
- 19 Sámi Festivals and Indigeneity
- Thomas R. Hilder
- 20 Digitally Mediated Identity in the Cases of Two Sámi Artists
- Ann Werner
- Contributors
- Index
Autoren-Porträt
Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011.Antti-Ville Kärjä works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.
Bibliographische Angaben
- 2017, 432 Seiten, Masse: 17,5 x 25,5 cm, Gebunden, Englisch
- Herausgegeben: Fabian Holt, Antti-Ville Kärjä
- Verlag: Oxford University Press
- ISBN-10: 0190603909
- ISBN-13: 9780190603908
Sprache:
Englisch
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