{"product_id":"opheliamachine-magda-romanska","title":"Opheliamachine (Magda Romanska)","description":"\u003cdiv\u003e\u003cp\u003e\u003cb\u003eOphelia's story in a way you've never heard it before, and seven more ways as well.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eOphelia is trapped, stuck inside the machinery that has created her consciousness, fighting to be heard. Hamlet, overwhelmed by the ceaseless flood of media, mindlessly watches TV, consuming a mish-mash of beauty and horror; a daily soup of innocence and violence. The two of them hopelessly confined, and separated by the Atlantic Ocean.\u003cbr\u003e\u003cbr\u003eA polemic response to Heiner Mueller's \u003ci\u003eHamletmachine,\u003c\/i\u003e \u003ci\u003eOpheliamachine \u003c\/i\u003eis a postmodern tale of love, sex and politics in a fragmented world of confused emotions and global, virtual sexuality. Since its premiere in 2013, Magda Romanska's celebrated experimental play has been performed and studied around the world, with each culture and language feeding into and responding to \u003ci\u003eOpheliamachine\u003c\/i\u003e's collage of modern existence.\u003cbr\u003e\u003cbr\u003eThis edited collection brings together eight different translations of the play, offering English, German, French, Italian, Spanish, Japanese, Korean, Romanian and Polish language interpretations of Romanska's original text. Along with two introductory essays, these different versions of \u003ci\u003eOpheliamachine\u003c\/i\u003e provide academics, artists and teachers the opportunity to study a fascinating intersection of Shakespeare, translation, adaptation, feminism and avant-garde theatre.\u003c\/p\u003e\u003c\/div\u003e\u003ch4\u003eAutorenportrait\u003c\/h4\u003e\u003cdiv\u003eMagda Romanska is Professor of Theatre and Media at Emerson College, Boston, MA, Faculty Associate at the Berkman Klein Center for Internet \u0026amp; Society at Harvard, and a Principal Researcher at Harvard metaLAB, where she researches the relationship between art, science, and technology. She is the author of five critically acclaimed scholarly books, including \u003ci\u003eThe Post-traumatic Theatre of Grotowski and Kanto\u003c\/i\u003er (2012); \u003ci\u003eTheaterMachine: Tadeusz Kantor in Context\u003c\/i\u003e (2020); \u003ci\u003eReader in Comedy: An Anthology of Theory and Criticism \u003c\/i\u003e(2016); \u003ci\u003eThe Routledge Companion to Dramaturgy\u003c\/i\u003e, a leading and best-selling handbook of dramaturgy, and she has contributed a chapter to \u003ci\u003ePostdramatic Theatre and Form \u003c\/i\u003e(Methuen, 2019).  As a playwright, she is a recipient of the MacDowell Fellowship, the Mass Council Artist Fellowship for Dramatic Writing, the Apothetae and Lark Theatre Playwriting Fellowship from the Time Warner Foundation, and PAHA Creative Arts Prize. She has taught at Harvard University, Yale School of Drama, and Cornell University.\u003c\/div\u003e\u003ch4\u003eWeitere Angaben\u003c\/h4\u003e\u003cdiv\u003eBuch (Paperback), Englisch, 216 Seiten\u003c\/div\u003e","brand":"Weltbild.ch: Bücher \u0026 Outlet","offers":[{"title":"Default Title","offer_id":63437578043741,"sku":"K097066549","price":16.2,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/8915\/0045\/files\/223150-9706654900001A.jpg?v=1771133051","url":"https:\/\/weltbild.ch\/products\/opheliamachine-magda-romanska","provider":"Weltbild.ch: Bücher \u0026 Outlet","version":"1.0","type":"link"}