Verfügbarkeit für Abholungen konnte nicht geladen werden
Sophocles' great tragic play dramatises the clash between family and the city and, through high poetry and deep tragedy, presents an irreconcilable but equally balanced conflict.
Sophoclean heroine Antigone has become a cultural archetype - the personification of personal integrity and political freedom, and the play has been staged and adapted numerous times over the centuries.
It is published here in Don Taylor's classic translation with commentary and notes by David Bullen. The commentary looks at the original performance conditions that would have shaped the impact of Antigone in 441 BCE; key choices made by the translator; key ideas in the play taken up by philosophers such as Hegel and Butler; and more recent translations and adaptations by the likes of Bertolt Brecht, Anne Carson, Moira Buffini, Kamila Shamsie and Inua Ellams.
Autorenportrait
Sophocles (496-406 BC) was one of the three great tragic playwrights of ancient Greece; he wrote 123 plays during a career of 60 years and was still writing at the age of 90. Only seven tragedies survive, of which the most famous is Oedipus Rex.
Don Taylor (1936-2003) was a playwright and poet, and a director of theatre, television and radio plays. He worked as drama director at the BBC, and between 1960 and 1990, he directed nearly a hundred television plays. He translated and directed for BBC Television the Theban plays of Sophocles - Oedipus the King, Antigone and Oedipusat Colonus. He followed this with translations of three Euripides war plays - Iphigenia at Aulis, The Women of Troy and Helen. He was co-director of Compass Theatre for while and set up First Writes Radio with Ellen Dryden. Don Taylor's many stage plays include The Roses of Eyam, The Exorcism, Daughters of Venice, Brotherhood, When the Actors Come, Retreat from Moscow, When the Barbarians Came and his last play The Road to the Sea.
David Bullen is a Lecturer in the Department of Drama, Theatre, and Dance at Royal Holloway, University of London, UK where he has taught since 2013. He is a theatre director, writer, and academic, specializing in the histories of feminist theatre making as well as feminist and queer adaptations of canonical texts. He has published work on feminist theatre making and adaptation in theatre and film in a range of internationally reaching journals and edited collections; he is the author of Greek Tragedy as 21st Century British Theatre: Why, What, How.
