Chris Dorland (Robert Hobbs)

Cutting-edge contemporary: art at the intersection of paintinge and digital media

The definitve introduction to acclaimed artist Chris Dorland's dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technology decay and post-capitalist aesthetics.

With a groundbreaking text by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland s hybrid process_blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of postdigital, new media, and contemporary painting.

Der angesehene Kurator und Kunsthistoriker Robert Hobbs ist Spezialist für moderne, postmoderne und zeitgenössische Kunst. Aus seiner Feder stammen über 50 Bücher und Kataloge zur Kunst des 20. und 21. Jahrhunderts, darunter Monografien über Alice Aycock, Edward Hopper, Robert Motherwell, Robert Smithson und Kara Walker. Er lehrt in Yale, Cornell und an der VCU in Virginia.

Buch (Hardcover), Englisch, 120 Seiten